Museums & Galleries NSW are pleased to announce that we have received the most nominations to date for the IMAGinE awards. We are glad so many of you want to celebrate your museum, gallery or keeping place's achievements with us.
M&G NSW are counting down the weeks (3.5 weeks!) until the winners are announced on Friday 23 November at White Rabbit Gallery, Chippendale. Register now to be part of the excitement. Each fortnight we will be introducing you to the nominees and their exciting stories.
CATEGORY 2: EXHIBITIONS & PUBLIC ENGAGEMENT
LEVEL A: VOLUNTEER RUN
Australian Golf Heritage Society Museum
100 Years of the Professional Golfers Association of Australia
To celebrate the 100th anniversary of the formation of the Professional Golfers Association of Australia, the AGHS developed '100 Years of the Professional Golfers Association of Australia'. This was the first temporary exhibition developed by the Museum since 2007.
The exhibition included a large scale launch, opened by Graham Annesley, State Minister for Sport and Recreation and attended by Brian Thorburn, CEO of the PGA of Australia.
Visitors commented on the exhibition quality and the importance of AGHS which has been supported by positive media coverage. Since working with the PGA on this exhibition, AGHS has developed significantly closer links and are currently working with them and other organisations to obtain a more suitable location for their museum and collection.
Gilgandra Museum & Historical Society
Rural Museum
National Trust Heritage Festival talk on the rotary hoe
In conjunction with the National Trust Heritage Festival, the Society hosted a talk by Phil Howard, nephew of Cliff Howard, inventor of the rotary hoe. As this invention is strongly linked with the district, and this year’s theme “Amazing Stories: Innovation + Invention,” it was a natural choice.
After Phil’s presentation to a capacity audience, guests asked questions, inspected displays and enjoyed afternoon tea prepared by the ladies of the Society. Mrs Betty Bartley, Cliff’s niece, attended accompanied by her son who came from Canberra to bring her. Betty has written a booklet on her famous relative.
Mt Kembla Mining Heritage Centre
Pit Ponies
Pit Ponies
This project on pit ponies aimed to complement the Heritage Centre’s display Thunder in a Cloudless Sky which focusses on 1902 Mt Kembla Mine Disaster community response. The display includes an informative panel explaining the collection of surviving objects related to the ponies and interactive educational activities to engage children.
The launch was attended by 30 people, including non-locals who had a special interest. There was close interest from children, adults, horse-lovers and former miners involved with pit ponies. As a result of the display there have been more donations of pit pony equipment directly related to Mt Kembla Mine, and a recognised need for oral histories from former miners.
Port Macquarie Historical Society & Museum
World War II at Home
World War II at Home
This project involved an exhibition about life at home during WWII and the contributions of the Hastings people to the war effort, featuring local stories, images and objects from the Society’s collection.
With the M&G NSW touring exhibition There’s a War On! World War II at Home on at Port Macquarie Library, the Society saw an opportunity to present the local perspective at their museum.
They successfully applied for a Department of Veterans’ Affairs Saluting Their Service commemorations grant to provide funds for interpretive panels.
The significance of objects was conveyed with labels and some objects were placed on the M&G NSW wiki, www.tawo.org.au.
Port of Yamba Historical Society
Ghosts of World War I – 101 Local Heroes
Ghosts of World War I – 101 Local Heroes
In 2012, a special exhibition, Ghosts of World War I - 101 Local Heroes was held involving service records of 101 local heroes (including local Aboriginal Diggers) and objects from WWI, loaned by local families, partner organisations, and donations.
The exhibition was not designed to re-tell the Gallipoli story but the personal 'stories behind the names' inscribed on Yamba and Palmers Island honor rolls. Initial research revealed discrepancies between these names and those on local cenotaphs. One member, Peter Edmunds, undertook research using local records and interviewed families, which he verifed at the National Archives and War Memorial. Visitors were moved by the solemn and respectful display honouring our 101 heroes. Courtesy of Port of Yamba Historical Society.
Walgett District Historical Society
Wandering Jew Paddle Steaner & River History
In 1861, the cry went up ”a paddle steamer is here” and people in the developing town of Walgett, ran down to the river to see this amazing sight. 51 years later, the last steamer left Walgett whistle blowing, boiler chuff, chuffing, wheels turning and paddles slapping the water as they waved goodbye, Walgett’s romance with the Steamers was over.
This history is not well-known and therefore may be lost. What better way to prevent this than to bring the story back to life using an excellent physical display with some interest for everyone. The Wandering Jew Paddle Steamer & River History project emerged to educate the community that up-river on the Barwon, a less publicisied steamer adventure occurred.
The exhibition That's Entertainment: Willoughby in the spotlight! was Willoughby District Historical Society’s contribution to the 2012 National Trust Heritage Festival. That’s Entertainment focused on the role Willoughby plays in Australian entertainment including dance-halls, theatre, cinemas, radio and television. It highlighted community support of performing arts, culminating in The Concourse, one of Sydney's outstanding venues.
The various performing arts groups in Willoughby were contacted for information and objects with positive results, so much so, that space became a limiting factor.
In addition to the temporary exhibition room, the new exhibition also utilised the former breakfast room at the Museum. With assistance of an M&G NSW VIM grant, the Historical Society purchased a professional hanging system, enabling panels to be hung more efficiently than previously.
Song of Earth and Sea was a major retrospective exhibition capturing the life and work of Shay Docking, one of Australia's most accomplished female surrealist artists of the late twentieth-century. She brought surrealism an Australian accent - seen in her landscape works drenched with the powers and rhythm of nature.
The exhibition included unseen film footage and photographs taken by Docking over three decades, documenting places of interest. The film created discussion amongst visitors who were transfixed by the correlation between works and photographic material, it provided a bridge between the audience and the artist’s conceptual process.
The exhibition generated repeat visitation, creating a new audience for the Gallery. Public Programs further encouraged audience diversification, which created a more intense viewing experience.
The concept of pop up museums was adopted after the Museum was flooded in 2009 and subsequently closed. Since that time it has been vital to assure the residents of Coffs Harbour that their history was intact.
In utilizing vacant retail outlets, tourist destinations and community spaces the Museum was able to maintain a visual presence with the local community, offer visitors a slice of local history and maintain momentum and support towards a permanent venue.
In curating exhibitions that suit pop up spaces objects were selected to connect with community events allowing visitors to identify with the objects. Wedding gowns from the Museum collection were exhibited to co-incide with the local bridal fair creating an authentic aesthetic element.
GRAG facilitated ten art workshops with seven Indigenous artists at the Goulburn Correctional Centre's Indigenous Cultural Centre, Nura Wurra Umer resulting in an exhibition by teachers and inmate students. In the afternoon, artists gave a public talk at GRAG about the themes that govern their art.
Goulburn has a number of Indigenous inmates at Goulburn Correctional. The Centre approached GRAG to possibly sell the 'souvenir' style of artworks by inmates. GRAG's Director, an ex-art teacher in gaols, provided workshops by established Indigenous artists. The aim was to broaden understanding of Indigenous 'urban' artists by talking about their unique ideas and career story. Monthly workshops allowed inmates to continue working on their art and use new skills to start new works.
Art at Large puts artwork by mainly local artists on billboards along the highways of the Clarence Valley. The project aimed to engage a wide and varied audience with art, many who would not necessarily go to a gallery or museum, to promote the cultural identity of the Clarence Valley and to provide an opportunity for artists to create new work.
In support of the cultural development of the Aboriginal & Torres Strait Islander artists in the Clarence Valley, two of the eight billboards were allocated to Aboriginal artists.
The gallery’s name, web address or a short statement accompanied the artwork. The viewer could access background information on each billboard on the gallery’s website.
iHeart Jazz was a public engagement event in which audience heart beats were recorded and played to jazz musicians who improvised a set to the sound. Meanwhile a backdrop was set as a cardiac sonographer projected a live ultra sound of volunteers’ hearts. The original event actually detected a tumour growing in one volunteer’s heart and two days later they were having open heart surgery.
The heart is arguably the most important organ in the human body, and in medical terms is the leading cause of death in Australia. The rationale for iHeart Jazz was to create an accessible way to think about the importance of the heart.
The innovative exhibition High and Lofty featured newly commissioned works by contemporary artists inspired by the traditional ecclesiastical banner. It also featured historical church banners from the archives of Parramatta’s Churches.
The project extended beyond the boundaries of PAS, with works also on display at churches throughout Parramatta. Additionally, the project featured an exciting public program connecting the different exhibition venues with diverse audiences from art-going enthusiasts to church congregations.
High and Lofty introduced contemporary art into the public realm of churches and simultaneously introduced art from churches into a contemporary art space and context. Artists engaged with the banner form and its history, worked with new communities and responded to Parramatta’s architecture.
To celebrate Sturt’s 70th birthday, Sturt Craft Centre produced ‘Here by Hand – 70 years at Sturt’, featuring their permanent collection of post-war contemporary craft, which told the story of the post-war craft movement in Australia.
In a 2010 significance assessment, the collection was found to be nationally significant, as one of the most important collections of this nature outside of national collecting institutions. It is unique as it consists of work mostly made on site using equipment that is still in use and is also an important part of the collection.
The exhibition increased local visitation by emphasizing that the collection, gallery and services are a local resource to benefit the community. As a result Sturt was awarded Southern Highland Business of the Year 2011.
CATEGORY 2: EXHIBITIONS & PUBLIC ENGAGEMENT
LEVEL C: 5-20 PAID STAFF
Albury Art Gallery
Delightfully Deco
Delightfully Deco was a major exhibition, exploring Art Deco in regional Australia, using Albury as the epitome of how Australians interpret, love and collect Art Deco. Albury came alive in the Art Deco era, during the early 1920s. Leisure and extravagance were key, Albury citizens, started purchasing furniture, clothes, jewellery and cars that reflected the relaxed life. Young people went to dances, smoked imported cigarettes, listened to big band music.
Two years in the planning, Delightfully Deco had over 31,000 visitors, over 400 items involving 43 lenders and an 80 page catalogue. It was popular with visitors, included a great opening night party, CBD street tours and over 20 workshops, holiday programs, films and talks.
Albury Art Gallery
Drawing on Drysdale
Drawing On Drysdale celebrated the centenary of the birth of Russell Drysdale. It featured a selection of drawings, prints and artifacets by Drysdale from the AlburyCity Collection. Through his impaired vision, Drysdale encouraged a new way of seeing the Australian landscape and people.
The Albury Art Gallery holds over 40 artworks by Drysdale, these artworks were juxtaposed with ephemera, books and objects such as Drysdale’s portable easel. This project increased access to the collection through the exhibition, in depth catalogue, downloadable audio tour and an interactive touchscreen highlighting conservation projects on the works.
In a chronological narative the exhibition took the viewer on a journey from 1930s, prior to Drysdale attending art school, to the 1970s when he began to reflect on his mortality and life.
Parallax: the performance paradigm in photography consisted of works by photographer Heidrun Löhr over a two decade career spanning performance, dance and visual arts.
With more than 300,000 images to draw from, the exhibition aimed to avoid being a ‘photographic history’ of performance or retrospective. By focusing on the notion of parallax in her practice a different perspective on performance photography was articulated.
Parallax is the difference in an object’s position from two viewpoints. It intensifies with the added variable of movement in performance. Löhr’s camera captures something unique beyond the capabilities of the human eye. Her photographs are more than documents of a vanishing event, they’re collaborative works, images built out of the action of the photographer as much as the gestures of the moving body.
Casula Powerhouse Arts Centre
Australian Muslim Women’s Arts Project
Each year the Lake Macquarie Gallery curates an exhibition of contemporary art based on either water or holiday activities. As they are nestled on the foreshore of Australia’s largest coastal saltwater lake, it’s impossible not to consider water when programming.
For the past three years, Lake Macquarie has partnered with Glendon School in presenting the exhibition, combining the Gallery's committment to contemporary art and community-based exhibitions. Through direct learning for children and enticing new audiences to learn about contemporary art, the exhibition delivered on Lake Macquarie’s philosophy of making contemporary art accessible and engaging visitors of all ages and abilities.
This collaboration achieves this The students, learn artmaking via smartboard technology and practical hands-on methods. It is also therapy for children with moderate to severe intellectual disabilites. The result is a stunning and moving exhibition.
ATTACK: Japanese Submarines in Sydney Harbour is a solo exhibition of 15 major works and 7 studies by artist Ken Done. It was commissioned in 2011 by Mosman Art Gallery to commemorate the 70th anniversary of the Japanese attack on Sydney Harbour in 2012.
ATTACK is firmly placed within the art-making tradition of drawing inspiration from historical narrative and is the first series of paintings produced in Australia that is dedicated to exploring this event. It is a compelling and culturally sensitive exhibition that deals with empire, self-sacrifice, death, destruction and honour. This was a local story for the Mosman community, but one that has broader national and international significance.
Newcastle Museum honoured the lives of those lost in war by creating a field of crosses and poppies on ANZAC Day. 250 crosses and 850 poppies carpeted the lawn between the Museum and the Civic Railway Station.
The crosses that bear the names of the region's fallen were donated by the City of Newcastle Sub-branch of the RSL. Aging RSL members had been unable to repair them so the Museum fixed broken crosses and volunteers painted them white. They also displayed the names recorded by visitors in their permanent exhibition, Last Remains.
Fresh Museum ANZAC biscuits were available for sale and copies of the recipe were available for free on the day.
'50 Objects 50 Stories' is an exhibition about the wonder of story-telling. 50 artefacts, from a collection of over 30,000 were chosen from dramatically different times, cultures, sizes and materials. The oldest, a stone hand axe over a million years old. The youngest, a fake medieval lead figurine a little over 150 years old. It is about objects with a story to tell. Beginning in 1860 with antiquities from the original donation of Sir Charles Nicholson, the exhibition journeys through to the present day. Along the way, the stories introduce us to a cast of characters, curators and collectors who have helped shape the Museum and its collection.
'It feels as if the ghosts of the past are telling you their stories. It’s sublime.' (Nicholson Museum Visitors Book)
This was a temporary exhibition during National Trust Heritage Festival Amazing Stories: Innovation & Invention.
The exhibition comprised of compelling historical photographs, drawings, text, documents and railway objects demonstrating how railways were once the cutting edge of invention and innovation, with improvements in rail vehicle design, track and signalling since the first locomotive hauled the first train.
In compiling the featured stories the exhibition team needed to research historical facts of various railway accidents in NSW, discover what improvements had resulted and then resource photographs, diagrams and railway objects to illustrate the story.
In some cases it was a matter of discovering an innovation and researching what incident had brought about the change. The railway objects demonstrated either the cause or the solution.
Sydney Observatory
Transit of Venus 2012
Transit of Venus 2012 was designed to excite the public in contemporary astronomy through the past and aimed to increase interest of astronomy.
On Wednesday 6 June, Venus crossed the face of the Sun from 8.16am to 2.44pm, an occurance that will not be repeated for another 105 years. This was the most important astronomical event in 2012, and combined with the historical and scientific significance to Australia, probably the most important event of the century.
This event was vital to solving the scale of the solar system and hence deserves recognition from a modern audience, due to its significance to Australia’s astronomical heritage.
The challenges in making viewing available for 1,600 people were met by providing safe solar viewing glasses and through magnified viewings with a telescope via projected image.
1st Tamworth Textile Triennial: Sensorial Loop is an exhibition of works by 22 Australian artists currently using textiles to explore new ideas and to inform and engage with new audiences.
There are few events in Australia that can demonstrate a legacy for promoting and sustaining the unique cultural heritage associated with textile practice. The Tamworth Textile Triennial is one of these events and is firmly positioned within the Australian creative arts calendar attracting entries from a variety of creative disciplines, age groups, emerging and established practitioners.
The primary focus is to promote excellence and diversity through the ideas that creative practitioners bring to the textile discipline. There is a blurring within the definition of contemporary practice and Sensorial Loop captures that shift.
Picasso: Masterpieces from the Musée National Picasso, Paris presented iconic works from every phase of Picasso’s legendary career. Drawn from the collection of the Musée National Picasso —the most important repository of the artist’s work in the world, it featured more than 150 extraordinary paintings, sculptures, drawings, prints and photographs.
The exhibition was unique in Australia as it came entirely from Picasso’s personal collection—works that the highly self-aware artist kept for himself. They are ‘Picasso’s Picassos’, personal works given to the French State only after his death.
The exhibition attracted people who had rarely or never attended the Gallery before. For many, this show was a once in a lifetime chance to see a comprehensive survey of work created by Picasso. It drew record-breaking numbers of visitors.
Nawi involved initiatives which forged a meaningful dialogue about Australian watercraft among Indigenous communities, non-Indigenous stakeholders and cultural institutions that collect and interpret the history of Australia’s first mariners. Initiated with a major national conference and gathering of canoe-makers, Nawi included the exhibition of never previously displayed historic photographs, technical drawings, Saltwater bark paintings and canoe rebuilding programs. The exhibition also displayed a return of Indigenous watercraft to Sydney Harbour after nearly 200 years – providing varied cultural and technological lenses to view watercraft, their people and cultures.
It sought to broaden the role of museums and cultural artefacts from the recovery of community and historical knowledge to the importance of sharing knowledge across disciplines, communities, generations and cultures. It aimed to empower communities to regain or hand on traditional skills and knowledges.
Let Me Entertain You was a celebration of the spaces in the St George region, which have nurtured the creativity of performing artists in the community.
The exhibition raised awareness of the Museum and collection to new audiences. As a result they received a number of permanent donations including a ballroom dancing costume and customised shoes from a local resident who has been dancing in the area for over 40 years. Rick Lum, base guitarist from Hush, loaned original costumes after he visited Hurstville Library, saw their magazine and himself in an archival photograph.
Volume One: MCA Collection features over 280 works by more than 170 Australian artists. It reflects the diversity of Australian contemporary art over the past 20 years, including work by Aboriginal and Torres Strait Islander artists, the consolidation of film and video practice from a marginal to central position; and the emergence of diverse cultural voices.
It includes both well-known and surprising works from their collection of Australian art. The selection encompasses the range of media used by artists today and comprises works by artists across generations . Artworks are not hung in chronological order or in themes, rather the hang creates opportunities for dialogue between works, artists and generations.
Faith, fashion, fusion: Muslim women’s style in Australia includes an exhibition, publication, website, Facebook page and public programs.
The project explores a new sector in the Australian fashion industry – one where faith and fashion form a new relationship in the emerging modest fashion market. It features a new generation of fashion designers, retailers and bloggers offering stylish fashion advice to Muslim women, meeting their desire to dress fashionably while observing requirements of their faith. It introduces a group of Australian Muslim women who relate their own stories and experiences of building understanding between Australian communities.
This project reflects the Museum’s desire to present a broader discourse on the local fashion industry, one that provides new perspectives on Muslim fashion entrepreneurs, the Australian fashion industry and our culturally diverse communities.
Wandering Jew Paddle Steaner & River History
In 1861, the cry went up ”a paddle steamer is here” and people in the developing town of Walgett, ran down to the river to see this amazing sight. 51 years later, the last steamer left Walgett whistle blowing, boiler chuff, chuffing, wheels turning and paddles slapping the water as they waved goodbye, Walgett’s romance with the Steamers was over.
This history is not well-known and therefore may be lost. What better way to prevent this than to bring the story back to life using an excellent physical display with some interest for everyone. The Wandering Jew Paddle Steamer & River History project emerged to educate the community that up-river on the Barwon, a less publicisied steamer adventure occurred.
Willoughby District Historical Society Inc
That's Entertainment: Willoughby in the spotlight!
That's Entertainment: Willoughby in the spotlight!
The exhibition That's Entertainment: Willoughby in the spotlight! was Willoughby District Historical Society’s contribution to the 2012 National Trust Heritage Festival. That’s Entertainment focused on the role Willoughby plays in Australian entertainment including dance-halls, theatre, cinemas, radio and television. It highlighted community support of performing arts, culminating in The Concourse, one of Sydney's outstanding venues.
The various performing arts groups in Willoughby were contacted for information and objects with positive results, so much so, that space became a limiting factor.
In addition to the temporary exhibition room, the new exhibition also utilised the former breakfast room at the Museum. With assistance of an M&G NSW VIM grant, the Historical Society purchased a professional hanging system, enabling panels to be hung more efficiently than previously.
CATEGORY 2: EXHIBITIONS & PUBLIC ENGAGEMENT
LEVEL B: 1-4 PAID STAFF
Macquarie University Art Gallery
Song of Earth and Sea: Shay Docking 1955-1996
LEVEL B: 1-4 PAID STAFF
Macquarie University Art Gallery
Song of Earth and Sea: Shay Docking 1955-1996
Song of Earth and Sea was a major retrospective exhibition capturing the life and work of Shay Docking, one of Australia's most accomplished female surrealist artists of the late twentieth-century. She brought surrealism an Australian accent - seen in her landscape works drenched with the powers and rhythm of nature.
The exhibition included unseen film footage and photographs taken by Docking over three decades, documenting places of interest. The film created discussion amongst visitors who were transfixed by the correlation between works and photographic material, it provided a bridge between the audience and the artist’s conceptual process.
The exhibition generated repeat visitation, creating a new audience for the Gallery. Public Programs further encouraged audience diversification, which created a more intense viewing experience.
Coffs Harbour Regional Museum
Pop up exhibitions
Pop up exhibitions
The concept of pop up museums was adopted after the Museum was flooded in 2009 and subsequently closed. Since that time it has been vital to assure the residents of Coffs Harbour that their history was intact.
In utilizing vacant retail outlets, tourist destinations and community spaces the Museum was able to maintain a visual presence with the local community, offer visitors a slice of local history and maintain momentum and support towards a permanent venue.
In curating exhibitions that suit pop up spaces objects were selected to connect with community events allowing visitors to identify with the objects. Wedding gowns from the Museum collection were exhibited to co-incide with the local bridal fair creating an authentic aesthetic element.
Goulburn Regional Art Gallery
Art workshops at Goulburn Correctional Centre’s Indigenous Cultural Centre
Art workshops at Goulburn Correctional Centre’s Indigenous Cultural Centre
GRAG facilitated ten art workshops with seven Indigenous artists at the Goulburn Correctional Centre's Indigenous Cultural Centre, Nura Wurra Umer resulting in an exhibition by teachers and inmate students. In the afternoon, artists gave a public talk at GRAG about the themes that govern their art.
Goulburn has a number of Indigenous inmates at Goulburn Correctional. The Centre approached GRAG to possibly sell the 'souvenir' style of artworks by inmates. GRAG's Director, an ex-art teacher in gaols, provided workshops by established Indigenous artists. The aim was to broaden understanding of Indigenous 'urban' artists by talking about their unique ideas and career story. Monthly workshops allowed inmates to continue working on their art and use new skills to start new works.
Grafton Regional Gallery
Art at Large
Art at Large
Art at Large puts artwork by mainly local artists on billboards along the highways of the Clarence Valley. The project aimed to engage a wide and varied audience with art, many who would not necessarily go to a gallery or museum, to promote the cultural identity of the Clarence Valley and to provide an opportunity for artists to create new work.
In support of the cultural development of the Aboriginal & Torres Strait Islander artists in the Clarence Valley, two of the eight billboards were allocated to Aboriginal artists.
The gallery’s name, web address or a short statement accompanied the artwork. The viewer could access background information on each billboard on the gallery’s website.
Museum of Human Disease
iHeart Jazz
iHeart Jazz
iHeart Jazz was a public engagement event in which audience heart beats were recorded and played to jazz musicians who improvised a set to the sound. Meanwhile a backdrop was set as a cardiac sonographer projected a live ultra sound of volunteers’ hearts. The original event actually detected a tumour growing in one volunteer’s heart and two days later they were having open heart surgery.
The heart is arguably the most important organ in the human body, and in medical terms is the leading cause of death in Australia. The rationale for iHeart Jazz was to create an accessible way to think about the importance of the heart.
Parramatta Artist Studios
High and Lofty
High and Lofty
The innovative exhibition High and Lofty featured newly commissioned works by contemporary artists inspired by the traditional ecclesiastical banner. It also featured historical church banners from the archives of Parramatta’s Churches.
The project extended beyond the boundaries of PAS, with works also on display at churches throughout Parramatta. Additionally, the project featured an exciting public program connecting the different exhibition venues with diverse audiences from art-going enthusiasts to church congregations.
High and Lofty introduced contemporary art into the public realm of churches and simultaneously introduced art from churches into a contemporary art space and context. Artists engaged with the banner form and its history, worked with new communities and responded to Parramatta’s architecture.
Sturt Craft Centre
Here by Hand – 70 years at Sturt
Here by Hand – 70 years at Sturt
To celebrate Sturt’s 70th birthday, Sturt Craft Centre produced ‘Here by Hand – 70 years at Sturt’, featuring their permanent collection of post-war contemporary craft, which told the story of the post-war craft movement in Australia.
In a 2010 significance assessment, the collection was found to be nationally significant, as one of the most important collections of this nature outside of national collecting institutions. It is unique as it consists of work mostly made on site using equipment that is still in use and is also an important part of the collection.
The exhibition increased local visitation by emphasizing that the collection, gallery and services are a local resource to benefit the community. As a result Sturt was awarded Southern Highland Business of the Year 2011.
CATEGORY 2: EXHIBITIONS & PUBLIC ENGAGEMENT
LEVEL C: 5-20 PAID STAFF
Albury Art Gallery
Delightfully Deco
Delightfully Deco was a major exhibition, exploring Art Deco in regional Australia, using Albury as the epitome of how Australians interpret, love and collect Art Deco. Albury came alive in the Art Deco era, during the early 1920s. Leisure and extravagance were key, Albury citizens, started purchasing furniture, clothes, jewellery and cars that reflected the relaxed life. Young people went to dances, smoked imported cigarettes, listened to big band music.
Two years in the planning, Delightfully Deco had over 31,000 visitors, over 400 items involving 43 lenders and an 80 page catalogue. It was popular with visitors, included a great opening night party, CBD street tours and over 20 workshops, holiday programs, films and talks.
Albury Art Gallery
Drawing on Drysdale
Drawing On Drysdale celebrated the centenary of the birth of Russell Drysdale. It featured a selection of drawings, prints and artifacets by Drysdale from the AlburyCity Collection. Through his impaired vision, Drysdale encouraged a new way of seeing the Australian landscape and people.
The Albury Art Gallery holds over 40 artworks by Drysdale, these artworks were juxtaposed with ephemera, books and objects such as Drysdale’s portable easel. This project increased access to the collection through the exhibition, in depth catalogue, downloadable audio tour and an interactive touchscreen highlighting conservation projects on the works.
In a chronological narative the exhibition took the viewer on a journey from 1930s, prior to Drysdale attending art school, to the 1970s when he began to reflect on his mortality and life.
Australian Centre for Photography
Parallax: the performance paradigm in photography
Parallax: the performance paradigm in photography
Parallax: the performance paradigm in photography consisted of works by photographer Heidrun Löhr over a two decade career spanning performance, dance and visual arts.
With more than 300,000 images to draw from, the exhibition aimed to avoid being a ‘photographic history’ of performance or retrospective. By focusing on the notion of parallax in her practice a different perspective on performance photography was articulated.
Parallax is the difference in an object’s position from two viewpoints. It intensifies with the added variable of movement in performance. Löhr’s camera captures something unique beyond the capabilities of the human eye. Her photographs are more than documents of a vanishing event, they’re collaborative works, images built out of the action of the photographer as much as the gestures of the moving body.
Casula Powerhouse Arts Centre
Australian Muslim Women’s Arts Project
The Australian Muslim Women’s Arts Project was an extensive national initiative, developed over a number of years. Australian Muslim women artists engaged with communities to create artworks. The exhibition No Added Sugar engaged artists and audiences in a national dialogue relating to identity, self-determination, personal development and change.
Artists committed themselves to an intensive process, including two artist laboratories and an independent community engagement project. This culminated in the exhibition which brought together eight projects and 18 artists to create a dynamic national network. The project is a significant model of contemporary cultural production, showcasing the creative diversity of the Australian Muslim experience and contemporary Australian society.
Lake Macquarie City Art Gallery
Your Summer of Contemporary Art: ' Where there is water...' and Waterworlds'
Artists committed themselves to an intensive process, including two artist laboratories and an independent community engagement project. This culminated in the exhibition which brought together eight projects and 18 artists to create a dynamic national network. The project is a significant model of contemporary cultural production, showcasing the creative diversity of the Australian Muslim experience and contemporary Australian society.
Lake Macquarie City Art Gallery
Your Summer of Contemporary Art: ' Where there is water...' and Waterworlds'
Each year the Lake Macquarie Gallery curates an exhibition of contemporary art based on either water or holiday activities. As they are nestled on the foreshore of Australia’s largest coastal saltwater lake, it’s impossible not to consider water when programming.
For the past three years, Lake Macquarie has partnered with Glendon School in presenting the exhibition, combining the Gallery's committment to contemporary art and community-based exhibitions. Through direct learning for children and enticing new audiences to learn about contemporary art, the exhibition delivered on Lake Macquarie’s philosophy of making contemporary art accessible and engaging visitors of all ages and abilities.
This collaboration achieves this The students, learn artmaking via smartboard technology and practical hands-on methods. It is also therapy for children with moderate to severe intellectual disabilites. The result is a stunning and moving exhibition.
Mosman Art Gallery
ATTACK: Japanese Submarines in Sydney Harbour
ATTACK: Japanese Submarines in Sydney Harbour
ATTACK: Japanese Submarines in Sydney Harbour is a solo exhibition of 15 major works and 7 studies by artist Ken Done. It was commissioned in 2011 by Mosman Art Gallery to commemorate the 70th anniversary of the Japanese attack on Sydney Harbour in 2012.
ATTACK is firmly placed within the art-making tradition of drawing inspiration from historical narrative and is the first series of paintings produced in Australia that is dedicated to exploring this event. It is a compelling and culturally sensitive exhibition that deals with empire, self-sacrifice, death, destruction and honour. This was a local story for the Mosman community, but one that has broader national and international significance.
Newcastle Museum
ANZAC Day 2012
ANZAC Day 2012
Newcastle Museum honoured the lives of those lost in war by creating a field of crosses and poppies on ANZAC Day. 250 crosses and 850 poppies carpeted the lawn between the Museum and the Civic Railway Station.
The crosses that bear the names of the region's fallen were donated by the City of Newcastle Sub-branch of the RSL. Aging RSL members had been unable to repair them so the Museum fixed broken crosses and volunteers painted them white. They also displayed the names recorded by visitors in their permanent exhibition, Last Remains.
Fresh Museum ANZAC biscuits were available for sale and copies of the recipe were available for free on the day.
The Nicholson Museum
50 Objects 50 Stores
50 Objects 50 Stores
'50 Objects 50 Stories' is an exhibition about the wonder of story-telling. 50 artefacts, from a collection of over 30,000 were chosen from dramatically different times, cultures, sizes and materials. The oldest, a stone hand axe over a million years old. The youngest, a fake medieval lead figurine a little over 150 years old. It is about objects with a story to tell. Beginning in 1860 with antiquities from the original donation of Sir Charles Nicholson, the exhibition journeys through to the present day. Along the way, the stories introduce us to a cast of characters, curators and collectors who have helped shape the Museum and its collection.
'It feels as if the ghosts of the past are telling you their stories. It’s sublime.' (Nicholson Museum Visitors Book)
NSW Rail Transport Museum
Innovation & Invention
Innovation & Invention
This was a temporary exhibition during National Trust Heritage Festival Amazing Stories: Innovation & Invention.
The exhibition comprised of compelling historical photographs, drawings, text, documents and railway objects demonstrating how railways were once the cutting edge of invention and innovation, with improvements in rail vehicle design, track and signalling since the first locomotive hauled the first train.
In compiling the featured stories the exhibition team needed to research historical facts of various railway accidents in NSW, discover what improvements had resulted and then resource photographs, diagrams and railway objects to illustrate the story.
In some cases it was a matter of discovering an innovation and researching what incident had brought about the change. The railway objects demonstrated either the cause or the solution.
Sydney Observatory
Transit of Venus 2012
Transit of Venus 2012 was designed to excite the public in contemporary astronomy through the past and aimed to increase interest of astronomy.
On Wednesday 6 June, Venus crossed the face of the Sun from 8.16am to 2.44pm, an occurance that will not be repeated for another 105 years. This was the most important astronomical event in 2012, and combined with the historical and scientific significance to Australia, probably the most important event of the century.
This event was vital to solving the scale of the solar system and hence deserves recognition from a modern audience, due to its significance to Australia’s astronomical heritage.
The challenges in making viewing available for 1,600 people were met by providing safe solar viewing glasses and through magnified viewings with a telescope via projected image.
Tamworth Regional Gallery
1st Tamworth Textile Triennial: Sensorial Loop
1st Tamworth Textile Triennial: Sensorial Loop
1st Tamworth Textile Triennial: Sensorial Loop is an exhibition of works by 22 Australian artists currently using textiles to explore new ideas and to inform and engage with new audiences.
There are few events in Australia that can demonstrate a legacy for promoting and sustaining the unique cultural heritage associated with textile practice. The Tamworth Textile Triennial is one of these events and is firmly positioned within the Australian creative arts calendar attracting entries from a variety of creative disciplines, age groups, emerging and established practitioners.
The primary focus is to promote excellence and diversity through the ideas that creative practitioners bring to the textile discipline. There is a blurring within the definition of contemporary practice and Sensorial Loop captures that shift.
CATEGORY 2: EXHIBITIONS & PUBLIC ENGAGEMENT
LEVEL D: Paid Staff 21+
Art Gallery of New South Wales
Picasso: Masterpieces from the Musée National Picasso, Paris
LEVEL D: Paid Staff 21+
Art Gallery of New South Wales
Picasso: Masterpieces from the Musée National Picasso, Paris
Picasso: Masterpieces from the Musée National Picasso, Paris presented iconic works from every phase of Picasso’s legendary career. Drawn from the collection of the Musée National Picasso —the most important repository of the artist’s work in the world, it featured more than 150 extraordinary paintings, sculptures, drawings, prints and photographs.
The exhibition was unique in Australia as it came entirely from Picasso’s personal collection—works that the highly self-aware artist kept for himself. They are ‘Picasso’s Picassos’, personal works given to the French State only after his death.
The exhibition attracted people who had rarely or never attended the Gallery before. For many, this show was a once in a lifetime chance to see a comprehensive survey of work created by Picasso. It drew record-breaking numbers of visitors.
The Australian National Maritime Museum
Nawi – exploring Australia’s Indigenous watercraft
Nawi – exploring Australia’s Indigenous watercraft
Nawi involved initiatives which forged a meaningful dialogue about Australian watercraft among Indigenous communities, non-Indigenous stakeholders and cultural institutions that collect and interpret the history of Australia’s first mariners. Initiated with a major national conference and gathering of canoe-makers, Nawi included the exhibition of never previously displayed historic photographs, technical drawings, Saltwater bark paintings and canoe rebuilding programs. The exhibition also displayed a return of Indigenous watercraft to Sydney Harbour after nearly 200 years – providing varied cultural and technological lenses to view watercraft, their people and cultures.
It sought to broaden the role of museums and cultural artefacts from the recovery of community and historical knowledge to the importance of sharing knowledge across disciplines, communities, generations and cultures. It aimed to empower communities to regain or hand on traditional skills and knowledges.
Hurstville City Library, Museum & Gallery
Let Me Entertain You
Let Me Entertain You
Let Me Entertain You was a celebration of the spaces in the St George region, which have nurtured the creativity of performing artists in the community.
The exhibition raised awareness of the Museum and collection to new audiences. As a result they received a number of permanent donations including a ballroom dancing costume and customised shoes from a local resident who has been dancing in the area for over 40 years. Rick Lum, base guitarist from Hush, loaned original costumes after he visited Hurstville Library, saw their magazine and himself in an archival photograph.
Museum of Contemporary Art Australia
Volume One: MCA Collection
Volume One: MCA Collection
Volume One: MCA Collection features over 280 works by more than 170 Australian artists. It reflects the diversity of Australian contemporary art over the past 20 years, including work by Aboriginal and Torres Strait Islander artists, the consolidation of film and video practice from a marginal to central position; and the emergence of diverse cultural voices.
It includes both well-known and surprising works from their collection of Australian art. The selection encompasses the range of media used by artists today and comprises works by artists across generations . Artworks are not hung in chronological order or in themes, rather the hang creates opportunities for dialogue between works, artists and generations.
Powerhouse Musuem
Faith, fashion, fusion: Muslim women’s style in Australia
Faith, fashion, fusion: Muslim women’s style in Australia
Faith, fashion, fusion: Muslim women’s style in Australia includes an exhibition, publication, website, Facebook page and public programs.
The project explores a new sector in the Australian fashion industry – one where faith and fashion form a new relationship in the emerging modest fashion market. It features a new generation of fashion designers, retailers and bloggers offering stylish fashion advice to Muslim women, meeting their desire to dress fashionably while observing requirements of their faith. It introduces a group of Australian Muslim women who relate their own stories and experiences of building understanding between Australian communities.
This project reflects the Museum’s desire to present a broader discourse on the local fashion industry, one that provides new perspectives on Muslim fashion entrepreneurs, the Australian fashion industry and our culturally diverse communities.
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